Experts say home-theater projectors might not be the best type of HDTV for everyone, as they require low light levels for the best image quality, and there are lots of extra costs and requirements compared to LCD TVs and plasma TVs; see the ConsumerSearch reports on those types of HDTVs for more information about them. However, home-theater projectors also offer gigantic screens that are simply unavailable any other way and a true movie-theater-at-home experience. If you think a home-theater projector is right for you, here are some things to keep in mind as you shop:
While they share many common characteristics, business projectors and home-theater projectors serve very different functions and have very different audiences. For business users, projectors have mostly taken the place of the overhead projectors of yesteryear. Mobile professionals hook up a projector to a computer, projecting an image on a large screen or wall for presentations. The DVD player in your computer or a component DVD player can project movies or video demonstrations. Most business-oriented projectors weigh between 3 and 10 pounds, and they usually come with a carrying case and wireless remote control. Miniature projectors -- called pico projectors -- have also gained popularity. These projectors are small -- some are virtually pocket-sized -- and typically weigh a pound or less. However their relatively low light output limits screen sizes, making them best for small group or one-on-one presentations. The maximum resolution of business projectors is usually SVGA (800 pixels by 600 pixels) or XGA (1,024 pixels by 768 pixels), although widescreen business projectors with WVGA resolution (854 pixels by 480 pixels) are also available. See our separate report on business projectors for more information on these.
When you start shopping for a projector, you'll immediately notice that there are two main projector technologies on the market: digital light processing (DLP) and liquid crystal display (LCD). A third technology, liquid crystal on silicon (LCoS), is also used, but mostly in higher-end projectors. Some of the 3D projectors included in this report use a variation of LcoS.
Historically, DLP projectors boasted better contrast and black levels, while LCD projectors had better color saturation with less fan noise and lower operating temperatures. Because of improvements in both technologies, those differences have almost disappeared.
There are some other significant differences between the two technologies that could make one or the other more suitable for you. For example, LCD projectors still have a brightness advantage, but DLP projectors tend to be a bit smaller because the technology takes up less space.
DLP does have some significant disadvantages. Single-chip DLP projectors, which include all but the most expensive DLP projectors, suffer from what is known as the rainbow effect. Because of the way these DLP projectors generate an image, a small percentage of viewers see occasional flashes of color. Only a small number of viewers are bothered to the point of annoyance by the rainbow effect, and most people aren't even susceptible to the phenomenon. However, until you try watching a DLP television, there's no way to know if you are affected.
In addition, many DLP projectors are finicky about where they are placed relative to the screen, making finding a suitable location trickier than with an LCD projector. Higher-end DLP projectors often incorporate lens shift, which lets users slightly reposition the lens up, down, right or left, and makes finding a good spot for the projector a little easier.
LCD projectors tend to suffer from what is known as the screen-door effect -- images sometimes look like they would if you were viewing them through a mesh screen. However, advances in LCD technology have minimized the effect, and it is not much of a factor in 1080p projectors. DLP projectors continue to handle fast motion better than LCD models. With LCD, blur or softening can be a problem with fast-moving objects in some scenes.
LCoS suffers from few of the drawbacks of other projection technologies. There's no color wheel, so rainbow effect is not an issue, nor is the screen-door effect or excessive motion blur. Though actual performance can vary from model to model, in general, LCoS is well regarded for its deep blacks and good color performance. However, LCoS chips are expensive and difficult to produce, limiting them to more expensive home theater projectors. One drawback they have in common with all projectors is the use of a lamp that has to be replaced by the user from time to time.
Manufacturers usually specify a minimum and maximum image size for their projectors. Note that these are theoretical numbers that often have little to do with how an image will actually look. Typically, at the high end of the scale, the image will not be bright enough to look very good, while at the low end of the scale, images might be too bright. Because the required eyeglasses can cut down brightness considerably, some projector manufacturers are suggesting maximum screen sizes as small as 90 inches for 3D viewing.
For a projected image to look first rate, it needs to have sufficient brightness, which is defined by the Society of Motion Picture and Television Engineers as between 12 and 22 foot-Lamberts (fL), with an ideal of 16 fL. That recommendation is for a dark room such as a movie theater or a home-theater room with good to great light control. You'll need a brighter image for a typical living room -- figure 25 to 35 fL.
Image brightness is determined by a number of factors, most notably projector brightness, screen gain, image size and the distance between the projector and screen (the throw distance). There are a number of good calculators on the Internet that do the math for you to make specific recommendations on optimal screen size. One of the best we've seen is at ProjectorCentral.com.
That calculator includes a database of almost every past and present home-theater projector, though some of the very latest ones have yet to be added. The calculator lets you easily experiment with different throw distances and diagonal screen sizes to see how the two interact to influence screen brightness. It also reports other important information such as maximum room lighting levels for the intended use, recommended seating distances from the screen, and more.
We used ProjectorCentral.com's calculator to figure optimal screen size for the Optoma HD20, one of the projectors included among the Best Reviewed picks for this update. Results will vary according to the lighting conditions in your room, the screen and other factors. For an image brightness of 16 fL in a room with little ambient light (2 foot-candles or less), the Optoma HD20 will produce a 130-inch (diagonal) image at a throw distance of 15 feet, 6 inches; recommended seating distances are between 13 and 21 feet from the screen. The smallest recommended screen size in such a room would be around 110 inches, the largest about 147 inches. Rooms with higher ambient light will require using a smaller screen size. For a living room with some ambient light (around 3 foot-candles maximum) around 95 inches would look good; at 4 foot-candles, that size would drop to around 86 inches.
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