Here's what experts say to look for in a film SLR camera:

  • Experts say that the overall feel of the camera in your hands is crucial. If at all possible, examine the models that interest you most before buying. Go through the motions of changing all the settings. Does the camera seem to fit your hands? Are the controls easy to reach? Ideally, after some practice you should be able to change settings in the dark.
  • Consider the whole SLR system, not just the "first" camera body and lens. There's a large active market for second-hand cameras, but you'll save money by choosing one brand and sticking with it.
  • Look for a sturdy metal body or at least a metal lens mount. Plastic bodies are light, but tend to be fragile, and can't support heavier lenses. A chrome finish keeps your film cooler than a black one. Magnesium and aluminum bodies are usually found on the high-end models, along with superior weatherproofing.
  • Look for more exposure metering segments, for more accurate exposures over a wider range of lighting conditions. Experts say that improved metering is one of the main benefits of paying for a mid-range or pro model. Spot metering is a big plus.
  • For focusing in dim light, look for a low EV number like EV 0 or even EV -1. Nikon has the advantage over Canon on this score. Remember, too, that good autofocus can let you focus the camera in light where your own eyesight just isn't capable of it-one reason to choose an AF camera rather than a manual-only model.
  • The more shutter speeds, the better. A broad range of available shutter speeds lets you capture the action or blur it for effect. A typical range is from 30 to 1/4000 seconds. For night shots, most SLRs also offer an unlimited shutter opening. Remember that for shutter speeds of 1/4 second or longer, you'll need a tripod.
  • Faster electronic flash synch speed allows for a better balance between flash and ambient light. Faster top synch speeds allow better balance, especially when using "fill flash" to prevent silhouettes in backlit scenes. 1/125 second is typical, but faster is better. Most SLRs can synchronize at much faster speeds when used with a speedlight.
  • For action shots, look for a high continuous shooting rate. With a motorized film drive, it is typically 2.5 to 4 frames per second (fps). The faster the better. This feature typically increases as you move to higher price ranges.
  • For studio shots, look for a cable release or remote control, plus mirror lockup. Both minimize the vibration that can blur shots-especially important when doing closeups. For mirror lockup, Minolta and Canon have the advantage over Nikon, which doesn't offer it except on their most expensive models.

Back to top